Metropolitan Museum of Art Announces Fifth Avenue Renovation Plans

February 8, 2012 – 8:17 am |

The Metropolitan Museum of Art in New York has unveiled plans for a comprehensive redesign of the four-block-long outdoor plaza that runs in front of its landmark Fifth Avenue façade, from 80th to 84th Streets in Manhattan. Rendering showing bird’s-eye view of proposed Fifth Avenue plaza redesign (image: OLIN) The plan also calls for the creation of new fountains—to replace the deteriorating ones that have been in use since they were built in the 1970s along with the existing plaza. The fountains will be ... Read More

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Faster than the Eye Can See: Photographs by Harold Edgerton at The Delaware Art Museum

February 14, 2010 – 5:16 pmNo Comment

The Delaware Art Museum presents Faster than the Eye Can See: Photographs by Harold Edgerton, featuring 18 photographs produced at ultra high-speed, open through April 25, 2010.

Edgerton redefined the limits of vision, showing things invisible to the unaided eye by stopping time and making it possible to witness split seconds. Produced with a strobe light, which he invented, Edgerton’s exposures could be as brief as 1/1,000,000 of a second, allowing him to capture a bullet piercing an apple or a hummingbird in flight.

Published in Life magazine and National Geographic and displayed frequently at the Museum of Modern Art, Edgerton’s photographs have amazed millions since the late 1930s. And although he photographed in the service of scientific and commercial research, Edgerton appreciated the importance of aesthetics to create wonder and communicate ideas. For 25 years he labored to get the perfect picture of a milk drop and the coronet created by its splash—the resulting 1957 photograph is one of the most familiar images of modern visual culture. The enduring appeal of Edgerton’s photographs results from his combination of technological innovation and visual allure.

Clear, scientific, and exciting, Edgerton’s photographs are products of American ingenuity that demonstrate faith in technology to reveal truth and improve life. From the vantage point of 2010, Edgerton’s photographs are delightfully pre-digital—they date from a time when photographs were routinely equated with truthfulness. Echoing Dragnet, Edgerton has stated: “Don’t make me out to be an artist. I am an engineer. I am after the facts. Only the facts.”

Delaware Art Museum 2301 Kentmere Parkway, Wilmington, Delaware 19806 | 302.571.9590 | 866.232.3714 (Toll free)

www.delart.org

Image: Milk Drop Coronet, 1957 Harold Edgerton (1903-1990) ©Harold & Esther Edgerton Foundation, 2010, courtesy of Palm Press, Inc.

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