Metropolitan Museum of Art Announces Fifth Avenue Renovation Plans

February 8, 2012 – 8:17 am |

The Metropolitan Museum of Art in New York has unveiled plans for a comprehensive redesign of the four-block-long outdoor plaza that runs in front of its landmark Fifth Avenue façade, from 80th to 84th Streets in Manhattan. Rendering showing bird’s-eye view of proposed Fifth Avenue plaza redesign (image: OLIN) The plan also calls for the creation of new fountains—to replace the deteriorating ones that have been in use since they were built in the 1970s along with the existing plaza. The fountains will be ... Read More

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A Centennial Celebration: The Art of Francis Colburn and Ronald Slayton at the Fleming Museum

June 9, 2010 – 10:29 amNo Comment

The Fleming Museum is proud to present the work of Vermont artists Francis Colburn (1909-1984) and Ronald Slayton (1910-1992), in celebration of the one-hundredth anniversary of their births. Longtime friends, the two artists exhibited widely in group exhibitions throughout their long careers, however, they have never been the sole focus of an exhibition together. Their work has not been seen in this magnitude for over twenty years.

A 1934 alumnus of the University of Vermont (UVM), Francis Colburn embarked on an artistic career at the Arts Students League in New York, eventually returning to UVM, where he served as artist-in-residence and established the University’s Art Department. Also affiliated with UVM, albeit briefly, Ronald Slayton was enrolled at the University for the 1935-36 academic year. He left and joined Francis Colburn in the federally funded Works Progress Administration project (WPA), which ran from 1935 to 1943. The two artists are among the few native Vermonters to have participated in this government project.

Themes common to both Colburn’s and Slayton’s work produced during this period reflect a socially activist spirit, expressing sympathy with the labor movement and exhibiting an affinity for left-wing politics ranging from New Deal liberalism to socialism and communism. Although Slayton consistently used art to promote social change, he also responded to the beauty of the world around him through colors and forms that reflect an intense interior vision. Colburn also diverged from his socially driven art of the 1930s and 1940s to experiment with Surrealism, making him one of the first native-born Vermont artists to respond to European Modernism.

The exhibition consists of over 50 paintings, drawings, watercolors, and prints drawn from the Fleming Museum’s collection and public and private collections across the state. Colburn was a raconteur and Slayton a poet, and their voices can be heard in a selection of recorded stories, monologues, and poetry available within the exhibition.

Fleming Museum 61 Colchester Avenue Burlington, Vermont 05405 USA

Image: Francis Colburn (American, 1909-1984). Charlie Smith and his barn, c. 1939. Oil on canvas, 29″ x 34″. Bennington Museum, Bennington, Vermont 2004.67

www.uvm.edu

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