Nationalmuseum Gripsholm Castle opens for the season

May 14, 2012 – 1:47 pm |

The Nationalmuseum in Sweden opens Gripsholm Castle fFrom Tuesday 15 May until the end of summer, Gripsholm Castle will be open daily from 10 am – 4 pm. The castle, which is celebrating its 475th anniversary, offers something for everyone – from a floor dedicated to a princess, an 18th-century theatre, an armoury and a prison tower to one of the world’s biggest portrait collections. This year the family tours will start at 1 pm. Nationalmuseum Gripsholm Castle Celebrating its 475th ... Read More

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Museum Boijmans Van Beuningen Shows New Rembrandt

October 9, 2010 – 2:58 amNo Comment

The Museum Boijmans Van Beuningen has a new Rembrandt in the collection. According to the new standard work on the painter, the painting ‘Tobias and His Wife’ is not the work of a pupil of Rembrandt, but is by Rembrandt himself. From Thursday 7 October the painting will be exhibited for one month in the museum.

The painting will be on view in the Old-Dutch staircase of the museum, between galleries 17 and 18 on the first floor.

Rembrandt van Rijn, Tobias and his wife, 1659, oilpaint on panel, 40,3 x 54 cm, with frame: 65,5 x 78,5 x 9,5 cm, on loan of Foundation Willem van der Vorm, 1972. Museum Boijmans Van Beuningen

This week the Rembrandt expert Prof. Dr Ernst van de Wetering presented the fifth volume of the Rembrandt catalogue raisonné. His research demonstrates that the painting ‘Tobias and His Wife’ was painted by Rembrandt van Rijn and not, as was believed for many years, by a pupil of the master. Museum Boijmans Van Beuningen is pleasantly surprised by the news.

Restoration
Rembrandt painted the scene of a man and his wife by an open hearth over an older still life by another artist. In many places the layer of paint has become so thin that traces of the still life are visible. The museum is having the work restored in preparation for its loan to an exhibition in Japan. Following the announcement, the museum has decided to postpone the restoration of the work, for a month in order to exhibit the work publicly in Rotterdam.

No Doubt
In the latest volume of ‘A Corpus of Rembrandt Paintings’ Ernst van de Wetering states that the work is undoubtedly by Rembrandt. His conclusion is based upon several arguments. There are various similarities with the etching ‘Saint Peter and Saint John Healing the Cripple at the Gate of the Temple’ of 1659. Furthermore, the specific feeling for detail is similar to Rembrandt’s work of the 1640s. According to the art historian, the representation and placement of the figures, the application of perspective in the work and the step in the foreground all suggest that the work is a genuine Rembrandt.

In 1994 Jeroen Giltaij, Museum Boijmans Van Beuningen’s senior curator of Old Master Art, attributed the painting to a pupil of Rembrandt. He researched the stylistic properties of the work and used an X-radiograph to arrive at his decision. Giltaij stands by his opinion despite Van de Wetering’s discovery.

‘Tobias and His Wife’ is part of the collection of the Willem van der Vorm Foundation, which is on long-term loan to Boijmans Van Beuningen. In addition to this newly attributed work, the museum has three paintings and thirty-six drawings by Rembrandt and several works by the School of Rembrandt in the collection.

www.boijmans.nl

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