Nelson-Atkins Museum Presents Heavens: Photographs of the Sky & Cosmos

Exhibition Explores Fascination with Sun, Clouds, Moon and Stars

Heavens: Photographs of the Sky & Cosmos, open June 15–November 13, features 39 photographs from The Nelson-Atkins Museum of Art collection that explore, among other out-of-this-world subjects, the strange beauty and inherent wonder of the craters of the moon, spots on the sun, and distant galaxies.

Humankind has long been fascinated with the realms above us. For more than 150 years, photographers have looked to the heavens for inspiration and personal expression. With the invention of the telescope, photographers were afforded a new way of looking at the seemingly constant sun, moon and planets. Space exploration allowed even more dramatic views of distant worlds invisible to the naked eye.

“What do you see when you look up? The sky and clouds, the sun and moon, and further, space,” said Jane L. Aspinwall, assistant curator of photography. “There is much to be learned and experienced through images of the heavens. Each photographer utilizes their own process, to convey a range of ideas about time and man’s place in the universe.”

The sky and clouds have long been identified with transcendence and the spiritual. The sun is the center of our existence, our essential source of light and life. Paradoxically, the sun’s illumination allows us to see the world, but its intensity makes it practically impossible for us to actually see the sun. Solar eclipses are presented in Heavens by photographers John Adams Whipple, E.J. Ward and Lewis P. Tabor, among others.

“Heavens provides fresh perspective on subjects that everyone knows, but which are rarely pondered,” said Aspinwall. “For example, Chris McCaw’s work makes the physical power of light literal: his photographic paper is actually burned by the intensity of the sun’s image as it is focused by the camera lens.”

Heavens unites the simple and the all-encompassing. At once timeless and forever new, our urge to look upward is a fundamental sign of our humanity, a symbol of our need both to locate ourselves and to imagine other realities. This simple impulse unites science and spirit, the things that can be seen and those that can only be imagined.

Image: Michael Benson, German (b. 1962). Ultraviolet Sun Trace, July 30, 1999. Chromogenic print. Gift of the Hall Family Foundation, HF.1020.001.11. Courtesy of the artist and the Hasted Kraeutler Gallery.

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The Nelson-Atkins serves the community by providing access and insight into its renowned collection of more than 33,500 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and new American Indian and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. The institution-wide transformation of the Nelson-Atkins has included the 165,000-square-foot Bloch Building expansion and renovation of the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are Wednesday, 10 a.m.–4 p.m.; Thursday/Friday, 10 a.m.–9 p.m.; Saturday, 10 a.m.–5 p.m.; Sunday, Noon–5 p.m. Admission to the Museum is free to everyone. For Museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.

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