Museum News
Antiquities
Fine Art
Natural History
Science Technology
Home » Fine Art

MIT List Visual Arts Center announce Amalia Pica exhibition

Submitted by on February 4, 2013 – 8:30 am

MIT List Visual Arts Center present an exhibition of work by Amalia Pica on view February 8–April 7, 2013.


Amalia Pica, Eavesdropper, 2011. Courtesy the artist and Herald St., London.

Amalia Pica is the first major solo museum exhibition in the US of the London-based artist’s work, providing an in-depth look at nearly a decade of her artistic practice. Using materials such as photocopies, light bulbs, drinking glasses, and cardboard, Amalia Pica (b. 1978, Argentina) confronts the failures, gaps, and slippages of communication. The act of delivering and receiving a verbal or nonverbal message, and the various forms that communicative exchange may take, are central to her work. In Babble, Blabber, Chatter, Gibber, Jabber, Patter, Prattle, Rattle, Yammer, Yada yada yada (2010) Pica spells out the work’s title using semaphore flags. The Catachresis sculptures (2011–) are made with objects whose features are referred to metaphorically as parts of the human body, i.e., the tongue of a shoe, the teeth of a saw, the legs of a table, etc. The title of the series is derived from the literary term describing the misapplication of a word or expression to denote something that does not have a name.

The literal and metaphorical figure of the listener is also at the center of much of Pica’s work. While Acoustic Radar in Cardboard (2010/2012) reimagines an outmoded precursor to radar, Eavesdropper (2011) suggests the complex relationship between listening, privacy, and consent. Other works reflect fleeting moments of shared experience, often incorporating the signifiers of celebration and communal gatherings with fiesta lights, bunting, and confetti.

Born during the period of Argentina’s dictatorship, Pica has long been interested in the relationship between form and politics, and between history and representation. In Venn Diagrams (Under the Spotlight) (2011) the artist addresses the political history of 1970s Argentina when modern mathematics was banned from school programs. Pica also looks to civic participation and social forms that allow people to speak. Stage (as seen on Afghan Star) (2011) alludes to the Afghan television program for aspiring pop stars; for many voting for their favorite, the show offered a rare public forum for the expression of individual opinion. Surveying the artist’s sculpture, performance, installation, video, and drawing, the exhibition is itself conceived as a conversation among Pica’s works across various mediums.

Amalia Pica is co-organized by the MIT List Visual Arts Center and the Museum of Contemporary Art Chicago, and co-curated by João Ribas, MIT List Visual Arts Center, and Julie Rodrigues Widholm, MCA Chicago.

MIT List Visual Arts Center
20 Ames St.
Cambridge, MA 02139
listart.mit.edu

Share

Leave a comment!

Add your comment below, or trackback from your own site. You can also Comments Feed via RSS.

Be nice. Keep it clean. Stay on topic. No spam.

You can use these tags:
<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

This is a Gravatar-enabled weblog. To get your own globally-recognized-avatar, please register at Gravatar.