The J. Paul Getty Museum’s shows new acquisition Rembrandt Laughing

. November 1, 2013

The J. Paul Getty Museum’s new acquisition Rembrandt Laughing, about 1628, a recently rediscovered self-portrait by one of the most celebrated painters in history, Rembrandt, will be on view at the Museum beginning Tuesday, October 29, 2013.

Rembrandt Laughing, about 1628. Rembrandt Harmensz. van Rijn (Dutch, 1606–1669). Oil on copper. 8 3/4 x 6 5/8 in. J. Paul Getty Museum, Los Angeles.

Rembrandt Laughing, about 1628. Rembrandt Harmensz. van Rijn (Dutch, 1606–1669). Oil on copper. 8 3/4 x 6 5/8 in. J. Paul Getty Museum, Los Angeles.


Rembrandt Laughing, about 1628, by Rembrandt Harmensz. van Rijn (Dutch, 1606–1669) is an early self-portrait, depicting the artist—who would have been about 22—dressed as a soldier, in deep violet and brown clothes and sporting a gleaming steel gorget. The young man leans back, smiles broadly and catches the viewer’s eye. His animated features are captured in this spontaneous moment of lively exchange with expressive, short brushstrokes.

Painted on copper, this small oil (8 3/4 x 6 5/8 inches) bears the artist’s monogram, “RHL,” which combines his name with Leiden, the city in which he was born and worked at the time. It is very well preserved and Rembrandt’s vigorous, assured technique has lost none of its immediacy.

Considered the greatest painter of the Dutch Golden Age, Rembrandt possessed a brilliant technique and unrivaled ability to capture the drama of life. His exploratory interest in the human character was expressed not only through the interpretation of diverse mythological and historical subjects, but through an exceptional number of self-portraits, a genre he transformed. Ranging from informal studies to elaborate fantasies and distinguished likenesses, Rembrandt’s self-portraits are among his most lauded works.

After centuries in private collections, this painting emerged on the market in 2007. Previously known only through print reproductions, it had been attributed to a contemporary of Rembrandt. Scholarly analysis and scientific testing, made possible once the painting entered the public sphere, led many experts, including leading members of the Rembrandt Research Project, to re-attribute the work to Rembrandt himself. It was exhibited to the public for the first time, as a Rembrandt, at the Rembrandthuis Museum in 2008. Notably, of the nearly 40 self-portraits he painted in his life, Rembrandt Laughing is the first in which he depicts himself in evocative costume.

Rembrandt Laughing is on view in the East Pavilion among the Museum’s four Rembrandt paintings (An Old Man in Military Costume, 1630–31; The Abduction of Europa, 1632; Daniel and Cyrus before the Idol Bel, 1633; Saint Bartholomew, 1661) and Rembrandt’s superb Portrait of a Girl Wearing a Gold-Trimmed Cloak of 1632 (on long-term loan from a private collection), and in proximity to other small-scale Dutch paintings on copper and panel.

Category: Fine Art

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