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Royal Ontario Museum (ROM) Presents The Art of Collecting Exhibition

The Royal Ontario Museum (ROM) showcases some of its biggest names as it presents the original exhibition The Art of Collecting. Opening on Saturday, October 22, 2011, the exhibition is expected to be displayed in the ROM’s Level 3 Samuel European Galleries for approximately one year. The exhibition provides the ROM the opportunity to acknowledge its many generous donors who have made the ROM’s European Decorative Art Collection the most comprehensive in Canada.

Pond Lily lamp. Tiffany Studios (American, active 1902-1932), Corona, New York, USA. Blown iridescent glass, partinated bronze, c. 1902. Purchased by the Royal Ontario Museum with the assistance of a Moveable Cultural Property grant accorded by the Minister of Canadian Heritage. This acquisition was made possible with the generous support of the Department of Museum Volunteers Acquisition and Research Fund. Certified Canadian Cultural Property.

Over 100 stunning objects, many associated with critically and historically renowned artists, have been carefully chosen to provide a cross-section of the approximately 7,000 objects acquired by the ROM’s European section over the last 15 years. Sleek Art Deco silver, dramatic Post-Modern furniture, and rare Renaissance maiolica (Italian earthenware) are among the showcased objects.

Following a chronological narrative, the exhibition spans the late Renaissance to the Post-Modern periods. The development of decorative art styles is examined and visitors will learn of social customs and material culture over the centuries. The ROM’s collections’ outstanding quality is also showcased, providing visitors a greater understanding of the breadth of knowledge required in collecting antiques.

Among the exhibition’s important examples of furniture are works by Charles Rennie Mackintosh, Carlo Bugatti, Hans Wegner, and Mies van der Rohe. Ceramics are well represented by the inclusion of French, English, and German factories such as Paris Porcelain, Sèvres, Chelsea, Worcester, and Coalport, and designers such as Margarete Heymann-Marks, Stig Lindberg, Valerie (Vally) Wieselthier, and Keith Murray. The exhibition’s English silver highlights works by designer William Kent and silversmiths Paul Crespin, and Thomas Heming, while continental silver is represented by the acclaimed George Jensen and Jean Puiforcat. Displayed glass pieces include works by René Lalique, Peter Behrens, Carlo Scarpa, Dale Chihuly, and Dan Daily. Works on paper, including three Anni Abers prints, are also included in the exhibition.

In galleries near the exhibition space, the works of other renowned designers, artisans, and architects such as Jacques-Émile Ruhlmann and Paul T. Frankl can be seen in Art Déco and Frank Lloyd Wright in Culture and Context. Jean Puiforcat’s silver and Orrefors’ glass are displayed in Eaton Court.

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