Vancouver Art Gallery Opens Shore, Forest and Beyond. Art from the Audain Collection

The Vancouver Art Gallery presents Shore, Forest and Beyond: Art from the Audain Collection. On view October 29, 2011 to January 29, 2012.

Beginning with the powerful ceremonial objects of the First Nations peoples, Shore, Forest and Beyond: Art from the Audain Collection traces the important strands of artistic production in the province right up to the present day. The co-curators have selected some 170 works from the Audain’s personal collection, as well as past works they have donated for the Gallery’s permanent collection. It features their particularly strong collection of the work of British Columbia’s most distinguished painter, Emily Carr, while presenting work by other prominent Canadian Modernists, including Lawren Harris, Frederick Horsman Varley and B.C. Binning. Their holdings of historical west coast indigenous art are complemented by a significant group of contemporary First Nations works, a number of which have been newly commissioned by the Audains. The photo-based art of the region has also received their careful attention, and they have been generous donors of works by Jeff Wall and Scott McFarland to the Vancouver Art Gallery. Finally, the exhibition includes another major area of focus—Mexican Modernism—representing the most significant collection of this art in Canada, with works by Diego Rivera, Jose Clemente Orozco, David Alfaro Siquieros and Rufino Tamayo. The works presented—the first extensive survey of the collection—provide an overview of its richness and strengths.

Michael Audain has said that “living with art has been one of the great joys of my life.” These works attest to the wide range of his interests and deep commitment to the province and its history. Although was not formed with the intent of showing it to others, the strengths of their collection make it one of the most distinctive in the country. www.vanartgallery.bc.ca

Image: Emily Carr War Canoes, Alert Bay, 1912 oil on canvas Collection of Michael Audain and Yoshiko Karasawaa

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