The Brooklyn Museum presents Hide/Seek: Difference and Desire in American Portraiture an exhibition on view rom November 18, 2011, through February 12, 2012. The exhibition is accompanied by a wide array of inexpensive and exciting art-related activities for the whole family.
HIDE/SEEK includes approximately a hundred works in a wide range of media created over the course of one hundred years that reflect a variety of sexual identities and the stories of several generations. Highlighting the influence of gay and lesbian artists, many of whom developed new visual strategies to code and disguise their subjects’ sexual identities as well as their own, HIDE/SEEK considers such themes as the role of sexual difference in depicting modern Americans, how artists have explored the definition of sexuality and gender, how major themes in modern art—especially abstraction—have been influenced by marginalization, and how art has reflected society’s changing attitudes.
Announcing the Brooklyn presentation, Museum Director Arnold L. Lehman states, “From the moment I first learned about this extraordinary exhibition in its planning stages, presenting it in Brooklyn has been a priority. It is an important chronicle of a neglected dimension of American art and a brilliant complement and counterpoint to Youth and Beauty: Art of the American Twenties, a touring exhibition organized by the Brooklyn Museum, also on view this fall. ”
In addition to its commentary on a marginalized cultural history, HIDE/SEEK offers an unprecedented survey of more than a century of American art. Beginning with late nineteenth-century portraits by Thomas Eakins and John Singer Sargent, it includes works from the first half of the 1900s by such masters as Romaine Brooks, George Bellows, Marsden Hartley, and Georgia O’Keeffe; the exhibition continues through the postwar period with works by Jasper Johns, Robert Rauschenberg, Agnes Martin, and Andy Warhol, and concludes with major works by late twentieth-century artists such as Keith Haring, Glenn Ligon, Nan Goldin, Felix Gonzalez-Torres, and Catherine Opie.
The Brooklyn presentation will feature nearly all of the works included in the National Portrait Gallery exhibition. Among them are rarely seen paintings by Charles Demuth, whose better-known industrialized landscapes are on view in the Brooklyn Museum exhibition Youth and Beauty; a poignant portrait of New Yorker writer Janet Flanner wearing two masks, taken by photographer Bernice Abbott; Andrew Wyeth’s painting of a young neighbor standing nude in a wheat field, much like Botticelli’s Venus emerging from her shell; Robert Mapplethorpe’s photograph riffing on the classic family portrait, in which a leather-clad Brian Ridley is seated on a wingback chair shackled to his whip-wielding partner, Lyle Heeter; and Cass Bird’s photographic portrait of a friend staring out from under a cap emblazoned with the words “I look Just Like My Daddy.” The exhibition will also include David Wojnarowicz’s A Fire in My Belly, an unfinished film the artist created between 1986 and 1987.
A wide range of public programs will be presented in conjunction with HIDE/SEEK, among them a two-part symposium that will explore themes and issues related to the exhibition. The first panel will examine the complex roles, responsibilities, and challenges that cultural institutions face when presenting “controversial” works of art. A second panel will discuss representations of identity and sexuality in art.
HIDE/SEEK: Difference and Desire in American Portraiture was originally organized by the National Portrait Gallery, Smithsonian Institution, and has been reorganized by the Brooklyn Museum and the Tacoma Art Museum. The original presentation was co-curated by David C. Ward, National Portrait Gallery, and Jonathan D. Katz, director of the doctoral program in visual studies at the State University of New York in Buffalo. The Brooklyn Museum presentation is coordinated by Tricia Laughlin Bloom, Project Curator.
HIDE/SEEK: Family-Artist Encounter Saturday, December 10, 12–1:30 p.m. Participants are invited to the HIDE/SEEK exhibition and the American Identities installation to decode the symbolism that can be found in the paintings of Marsden Hartley. For children seven and older with an adult companion. Participants will engage in an interactive exploration of Hartley’s artwork and create a piece of art using some of the same materials and concepts. This program is free with admission, but space is limited to twenty-five participants. To register, e-mail [email protected].
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238-6052 T(718) 638-5000 F(718) 501-6134 www.brooklynmuseum.org
