Kunsthalle Bremen presents Lynn Hershman Leeson Seducing Time, an exhibition on view through 19 August 2012.
Lynn Hershman Leeson , Construction Chart #2 (from the series Roberta Breitmore: External Transformations), 1975 . Cibachrome, 90.5 x 123 cm . © Courtesy of the artist.
The show comprises photographs, installations, and videos, placing an emphasis on interactive works. Fifty-five works provide an in-depth survey of a creative career spanning more than 40 years, giving insights into both Lynn Hershman Leeson’s development and range as an artist. Following her own interest in interaction, the works are distributed throughout the museum and in dialogue with the permanent collection of the Kunsthalle: 600 years of art history meet 21st-century media art.
Since the 1970s, Lynn Hershman Leeson (b. 1941) has been one of the leading protagonists of media art. For more than 40 years, she has been investigating issues of identity, memory, and history through the visual arts, film, and popular culture. Hershman Leeson explores themes that emerge from consumerism, the violation of the private sphere, surveillance, and personal power, consistently incorporating the viewer as an active participant in the work of art. Hershman Leeson employs continually developing digital technologies and repeatedly has provided decisive impulses to feminist discourse.
The DAM DIGITAL ART AWARD
Launched in 2005, the DAM DIGITAL ART AWARD |DDAA| (formerly d.velop digital art award) is presented every two years to an artist from the field of digital media art by the Digital Art Museum [DAM] in close cooperation with the Kunsthalle Bremen and the design agency KOMMUNIKATION LOHNZICH. The award honours the most important digital artists for their life’s work or for a significant body of work. An exhibition at the Kunsthalle Bremen has been devoted to each of the prize-winners. After Vera Molnar, Manfred Mohr, and Norman White, the award now pays tribute to the pioneering work of American artist Lynn Hershman Leeson.
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