Fondazione Querini Stampalia presents Qiu Zhijie. The Unicorn and the Dragon. A map of collections of Fondazione Querini Stampalia, Venice and Aurora Museum, Shanghai on May 29–August 18, 2013. Chinese artist Qiu Zhijie, chief curator [Read More]
Daily Archives: May 5, 2013
9 posts
Berliner Kunstlerprogramm/ DAAD presents N S Harsha Tamasha on view April 24–July 31, 2013. In cooperation with the façade gallery of Kule e.V., the DAAD Artists-in-Berlin Program has initiated a series of public art projects [Read More]
Georgia Museum of Art at the University of Georgia presents Face Jugs: Art and Ritual in 19th-Century South Carolina, an exhibition on view May 4 to July 7, 2013. Decorative arts historians coined the term [Read More]
National Gallery of Canada presents Masterpiece in Focus: Rubens, Van Dyck, Jordaens an exhibition on view 03 May 2013 – 02 Sep 2013. The National Gallery of Canada (NGC) invites members of the public and [Read More]
Storm King Art Center presents David Brooks: A Proverbial Machine in the Garden an exhibition on view May 4 – November 11, 2013. David Brooks’s A Proverbial Machine in the Garden comprises a 1970s-model Dynahoe [Read More]
Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced the appointment of Cynthia Round to the newly created position of Senior Vice President, Marketing and External Relations. Ms. Round will join [Read More]
The Metropolitan Museum of Art in New York announced that it will return to the Kingdom of Cambodia two 10th-century Koh Ker stone statues of “Kneeling Attendants”—donated in separate stages to the Museum in the [Read More]
Centre for Contemporary Art, Derry-Londonderry presents Goldin+Senneby: VWAP on May 12–June 27, 2013. Goldin+Senneby’s new project for CCA originates in Sweden, the home country of this artistic duo, circa 1780, when mineralogist August Nordenskiöld was [Read More]
CA2M Centro de Arte Dos de Mayo presents Sin motivo aparente (For no apparent reason) on 10 May–29 September 2013. The show seeks to review the relationship between current art practices and audiences within a [Read More]