Museum Morsbroich presents Thomas Grunfeld – homey Works dating from 1981 to 2013 an exhibition on view 26 May–8 September 2013.
Spongy ochre-coloured puddles ooze around the floor, a whiff of 1950s fustiness has become entangled in the spiky plant, colourful felt collages decorate the walls, and the room is populated by strange animal creatures: Welcome to the untameable realm of collective memories. This is the first museum retrospective exhibition of works by Thomas Grünfeld, who was born in Leverkusen and teaches at the Kunstakademie Düsseldorf. Grünfeld’s extraordinarily diverse oeuvre, presented here for the first time in a survey exhibition, is characterised by strictly separate work groups.
Grünfeld may be best known to most people for his animal collages, or misfits, yet the fascinating aspect of his oeuvre is its enormous diversity: 16 different work groups that oscillate between painting and sculpture, art and (furniture) design, naturalness and artificiality, functionality and absurdity, the homely and the disconcerting.
Bourgeois contentment and its craze for the decorative, the longing for the home of the ugly and eccentric: by irritating the viewer with his works and their hybrid mixes, subverting expectations and shattering conventions, Grünfeld points up the delicate balance between art and life.
The idea behind the exhibition is to present Grünfeld’s early passe-partout works, his wall and furniture objects (Tabletts / Shelfs and Polster / Upholstery Objects), his textile and rubber sculptures (Röcke / Skirts and Gummis / Rubbers), his stuffed animals (misfits) and Augenbilder (Eye Pictures), photographs (Dyes) and Filze (Felts) in different constellations. From felt used sculpturally to the collage picture, from painted plane with three-dimensional sprinkles to sculpture that seems to flow: the point of departure is always the minimal form in its different art-historical manifestations, which Grünfeld continues to develop, with a touch of irony, until it becomes an object charged with individual memory and emotion.
In close collaboration with the artist, a scenographic presentation form has been found that combines the works, and their interplay with the atmosphere of the historical rooms, in a dialogue about the themes of privacy and homeliness (‘homey’).
Thomas Grünfeld – homey will open on Sunday, 26 May, at noon, in the Spiegelsaal of Museum Morsbroich, where it will run until 8 September. In Spring 2014, the exhibition will then be shown at the Museo d’Arte Contemporanea in Genoa.
The curator of the exhibition is Fritz Emslander.
Museum Morsbroich
Gustav-Heinemann-Strasse 80
D-51377 Leverkusen
Germany
www.museum-morsbroich.de