The Dallas Museum of Art will open its new Paintings Conservation Studio in November 2013, as part of the Museum’s initiative to establish a more comprehensive in-house conservation program. The launch of the Studio coincides with the installation of Daniel Buren’s Sanction of the Museum, 1973, a large-scale installation that was recently acquired and conserved by the DMA following nearly three decades in storage.
As part of its expanding conservation program, the DMA is also collaborating with the University of Texas at Dallas and the University of North Texas in Denton on three long-term research projects that focus on new analytical techniques and technologies for the study of artists’ materials. The conservation program at the DMA is led by Chief Conservator Mark Leonard and will be supported by the newly appointed Associate Conservator of Objects, Fran Baas.
The Paintings Conservation Studio features state-of-the-art technology—including a digital x-ray system—and will serve as a center for study and treatment of works of art as well as research into cutting-edge conservation methodologies. The Studio is adjoined by an exhibition gallery, which will highlight the works of art on view with a conservation perspective. Enclosed by a glass wall, the Studio’s design will allow visitors to the Conservation Gallery to observe daily activity beginning on November 1, 2013, providing audiences with a singular behind-the-scenes experience. An adjacent outdoor Sculpture Terrace will exhibit works from the DMA’s collection, and also provide visual access to the new Studio. www.dallasmuseumofart.org