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Aspen Art Museum presents Simon Denny. Full Participation

The Aspen Art Museum presents Simon Denny. Full Participation, an exhibition on view MAY 18–JULY 15, 2012.

Employing a hybrid approach located somewhere between research project, retail display, and promotional campaign, Simon Denny’s diverse artistic practice reflects on the production, distribution, and consumption of media in an age of accelerated technological obsolescence and relentless cultural overproduction. Through a variety of media, including photographs, sculpture, video, and printed ephemera, Denny invites us to consider the evolution of television and video as both technologies and cultural forms.

Simon Denny, Introductory Logic Video Tutorial, installation view, Artspace Sydney, 2010. Courtesy Galerie Daniel Buchholz, Cologne/Berlin.

Denny’s recent works have included investigations into the form and “architecture” of the TV set itself (the physical depth of which, we are reminded, has shrunk along with the medium’s loss of dominance as a content provider), the genre conventions of documentary, and the myriad processes by which content is translated from one medium to another. Other works explore the aesthetics of the glitch, moments of interference where the smooth flow of content breaks down, while still others mine the seemingly banal world of trade shows and industry publications.

Denny’s exhibition at the AAM grows, in part, out of his research into the history of Aspen’s own GrassRoots Television, the oldest public-access cable channel in the country. One video features GrassRoots footage of Aspen luminary Nick DeWolf speaking about the electronic community bulletin board system that he designed and implemented at the station in 1980–81, an early example of the networked communications that we take for granted in today’s world of Twitter and Facebook. Other works in the exhibition chart the process of selecting and digitally preserving “Women’s Week” (1972), an early reel-to-reel videotape from the GrassRoots archive that has been unviewable for decades.

Simon Denny (born 1982 in Auckland, New Zealand) graduated from the Staatliche Hochschule für Bildende Künste (Städelschule) in Frankfurt am Main, Germany. Recent solo exhibitions include Cruise Line, NAK Neuer Aachener Kunstverein, Aachen, Germany; Chronic Expectation: CFS/ME Documentary Restoration, T293, Rome; Corporate Video Decisions, Michael Lett, Auckland, and Friedrich Petzel Gallery, New York (2011); Negative Headroom: The Broadcast Signal Intrusion Incident, Halle für Kunst, Lüneburg, Germany; and Contemporary Art Museum, St. Louis (2010). Recent group exhibitions include That’s the way we do it: The Techniques and Aesthetic of Appropriation from Ei Arakawa to Andy Warhol, Kunsthaus Bregenz, Austria; and Based in Berlin, KW Center for Contemporary Art, Berlin (2011).

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